Biography

Ph. Franz Soprani

GAZ BLANCO, aka Giuseppe Bianco

Born in Puglia, Castellana Grotte (Ba) where he lives, Gaz is an Author of Photography, specializing in documentation of Architecture, Art and Design and in reportages of events: Tango, live music, performing arts, cultural events, visual food reportages. He is graduated in Architecture and Urban Design at the Bari Polytechnic, then specializing in Landscape Architecture at the Milano Polytechnic, and Ho.Re.Ca. Design at PoliDesign Academy. http://www.archilovers.com/archibianco/

Gaz Blanco’s research in photography, documented on www.flickr.com, is focused in the field of the inseparable union between Architecture and Music, and has managed to get some significant acknowledgement: the publication of a photographic book for the types of New Fundamentals Research Group with the title: “Lithic Sensuality. Stone Architecture Photography. Giuseppe Fallacara 2016-2023. Seven years of photography by Gaz Blanco around Giuseppe Fallacara’s research on steretomic design”. (2023); the publication of some of his photos in a book by Beatriz Dujovne for the types of McFarland & Co., Inc. Pub. (USA) entitled “In stranger‘s Arms”. Besides his image “The age of a hug” has been inserted in the review of the book on the website www.todotango.com the most important compendium on the history of Argentine Tango in the world.

Currently receives frequent invitations as official photographer of events in Italy and Europe (Portugal, Poland, Austria, Denmark, Germany, Croatia). For six consecutive years he has been the official photographer of “Lisbon International Tango Festival” and for three years of “Tango Amdeus” in Wien. He is currently the photgrapher of the most important musical event in Europe on classical and contemporary Live Tango Music: “La Locura Tango Musik Festival” in Haus der Musik – Innsbruck (At) and of NOJAzz Festival in Noicattaro, Bari, Italy.

In June 2019 He received an honourable mention in the “Press | Performing Arts” category of the prestigious “Px3 | Prix de la Photographie Paris” Award for the picture with the title: “These are !!!NOT!!! two tango dancers… An history of light” that summarizes is research around Music, Movement and Architecture. In September his photo “Butterfly” won the Gold Award in the “Press | Performing Arts” Category always at Px3 2020.

Events

Bari International Tango Congress 2024 | Bari (It)

La Locura Tango Musik Festival 2024 | Haus der Musik | Innsbruck (At)

Tango Euphoria Festival 2024 | Lazise – Vr (It)

Winter Tango Munchen 2024| Schloss Nymphenburg | Munchen (D)

Bari International Tango Congress 2023 | Bari (It)

Marmo+Mac 2023 | World fair of stone products chain | Verona (It)

Boom Collective Live @ NOJAZZ Festival 2023 | Noicattaro – Bari (It)

Paolo Fresu & Omar Sosa Live @ NOJAZZ Festival 2023 | Noicattaro – Bari (It)

Serena Brancale Live @ NOJAZZ Festival 2023 | Noicattaro – Bari (It)

Notti di Tango del Salento 2023 | Lecce (It)

La Locura Tango Musik Festival 2023 | Haus der Musik | Innsbruck (At)

Winter Tango Munchen 2023 | Schloss Nymphenburg | Munchen (D)

Norba Tango Marathon 2022 | Conversano – Bari (It)

Publications

He has gathered acclaims from publishers and authors of books (Dulio Roberto, who wrote a monography of the Brazilian architect Oscar Niemeyer, Beatriz Dujovne, psychologist and scholar of the cultural phenomenon of Tango Argentino), mainly due to photographic production related to Argentine Tango, Architecture and Landscape. See his page on www.flickr.com

“Ca Brutta | Via della Moscova” – Milan – Arch. Giovanni Muzio | “The Phaidon Atlas of 21st Century world architecture” Editor: Pahidon Press Ltd (UK) 2007

“Monument to the fallen of all wars” – BBPR – Milan | Betonart 31 | 2011

“Le età di un abbraccio – AGES” In Stranger’s Arms – Beatriz Dujovne | 2011 | Codice ISBN/DOI/ISSN: 10: 0786463899

“Mani di Chef, in mostra a Milano le mani di Andrea Aprea, chef del VUN, immortalate da Gaz Blanco” Gambero Rosso (Review) | Saverio De Luca | 2014

“Vers une architecture en pierre” | Mars 2016 | Prof. Giuseppe Fallacara | Codice ISBN/DOI/ISSN: 978-2859784966

Mani di Chef | Filippo Lamantia | Couscous pot by Argenteria Dabbene Milano | AD – Architectural Digest Aprile 2016

“Architectural stone elements” – Research, design and fabrication | Codice ISBN/DOI/ISSN: 978-2859785086 | June 2017

“Stereotomy 2.0 and Digital Construction Tools” | Workshop, Symposium and Exhibition held NYIT School of Architecture & Design | Giuseppe Fallacara | Codice ISBN/DOI/ISSN: 978-2-35772-027-5 | 2018

“My ArchiSign. Architettura e design in pietra. Pensieri, opere e visioni” | Giuseppe Fallacara | Gangemi Editore | Codice ISBN 88-492-4177-1 | 2022

“Quarry Visions” | A cura di: Giuseppe Fallacara | ISBN-13 979-8815656918 | 2022

“Lithic Sensuality. Stone Architecture Photography. Giuseppe Fallacara 2016-2023. Seven years of photography by Gaz Blanco around Giuseppe Fallacara’s research on steretomic design”. New Fundamentals Research Group (2023) Codice EAN: 9791221047745 | 2023

Many of his images are published on Websites with advertising intent:
www.todotango.com.ar – the most important Compendium of Tango Argentino in the world;
www.voodoodeluxe.com – The most important agency in Italy for Burlesque shows;
www.almaportena.altervista.org – Milonga Tango School “estilo milonguero”;
www.piacenzasera.it – Articles on the newborn “Italian Gospel Choir” (local newspaper);
www.facebook.com/group.php?gid=190111503123 – Container 12: Space for innovative performing arts – “Unspoken” show.
www.flickr.com/groups/archimusic – “Architecture and Music – Music and Architecture” (administrator);
www.flickr.com/groups/architettureteatrali – ” The Theater” (administrator);
www.flickr.com/groups/scenography – “Scenography” (administrator);
www.flickr.com/groups/milonguero – “Yo soy mi TANGO – Tango estilo milonguero” (administrator);
AD – Architectural Digest (online , April 2016 );
Panorama ( April 2016 );
Divisare Cover – The Atlas of Contemporary Architecture;
L’Architecture d’Aujourd’hui;

[…]

Exhibitions

April 2016 | Some photos of the long term reportage “Mani di Chef”, depicting the object designed by Chef Filippo Lamantia specifically for Argenteria Dabbene of Milan, are exposed inside Argenteria Dabbene spaces in Largo Claudio Treves 2, ang.Via Balzan, for Milan Brera Design District in 2016 .

May 2015 / Still visible in Wien
TANGO | From Vienna To Lisbon (and back to Vienna) A tale of the Festivals trough the eyes of Gaz BLANCO
6-10 May 2015 | Albert Schweitzer Haus, SchwartzpanierStr. 13 -1090 Wien (At) – Tangoamadeus
3-7 June 2015 | Escola A voz do Operaio, Rua Voz do Operaio – 1100 Lisboa (Pt) – Lusitango
www.lisbontangofestival.com
From 13 june 2015 | Tango Atelier, SchonbrunnerStr. 58 – 1050 Wien (At) – www.tango-atelier.com

April / June 2014 | Kitchen – Via De Amicis, 45 – Milan | Exhibition “Mani di chef” Andrea Aprea and his Staff | Vun Restaurant | Park Hyatt Milan

August 2012 | Palatango – Segrate (Milan) | Associazione “La Mariposa Tango” (Milano) | Exhibition “En el abrazo del Tango..” . Some of my images are still in the spaces of weekly milonga in Via Giovanni Prandina, Milano (It)

January 2012 | “Divino Abbraccio” – Senigallia (An) | Solo Exhibition “Oltre gli occhi” […] is Tango building, through images, a path that “tells” the feelings of a “milonguero” approaching Tango.

December 2011 | Sala San Leonardo – Rio Terà S. Leonardo – Venezia | Charity Photo Exhibition: “Venezia – Buenos Aires – Venezia: Tango, ida y vuelta” for ”Associazione TangOblivion” (Venice), in collaboration with Municipalità di Venezia, Murano, Burano – Servizio Cultura e Sport.

June 2010 | Palazzo Marino and Piazza della Scala di Milano | XXth Anniversary D&G Man | Exhibition on the history of Milan – The picture with the title: ”L’Ospedale Maggiore di Milano del Filarete”, realized in 2008 was selected from Dolce & Gabbana Maison and exhibited in Milano in occasion of their twentieth anniversary; the image was inside a multimedia installation celebrating the history of the city that gave to the stylists the occasion to become famous all over the world.

Education

Participation in workshops and seminars with important Photographers and Editors: Gabriele Basilico; Roberto Bossaglia; Guido Guidi; Gianni Berengo Gardin; Marco Introini; Pino Ninfa among the initiatives of Piacenza Jazz Fest 2010, and lastly by Rebecca Simmons (World Press Photo) and Magdalena Herrera (Geo France) – International Workshop “Editing for Narrative Impact” for twelve selected participants from WPPH at the Photolux Festival 2015 in Lucca (It); Paolo Verzone – Geometry of Disorder (Photolux Festival 2017 – Lucca); Guido Harari – “Vedere la Musica – Ascoltare le Immagini” (Locus Festival 2022 – Locorotondo-Ba).

Self Taught Musician and vocalist in various choirs in Italy, has realized two CD recordings (“Level One”, with the Wanted Chorus and “One, two, three, four – Vol 2′′ with the Italian band “Matia Bazar”) Giuseppe Bianco takes part as one of main characters in the show “Gospel Dream” original musical written and performed by Wanted Chorus with Savino Zaba as the narrator (1998) and participated as a vocalist in concerts all over Italy (Bari, Taranto, Piacenza, Milano, Castrocaro, etc.) and abroad (Krakow); he was singer of “Italian Gospel Choir”, a F.i.r.m.a. project (Italian Federation of Music and Art Research) whose was also the official photographer.

Clients

Architetto Giuseppe Fallacara | http://www.atelierfallacara.it/

Architetto Carmine Chiarelli | www.archilovers.com

OPPENHEIM Architecture | https://oppenoffice.com/

Architetti Luigi Dragone & Hilde Romanazzi | https://www.edilportale.com/luigi-dragone/

Architetto Monica Alejandra Mellace | https://www.archilovers.com/monica-alejandra-mellace/

SMN Architetti | http://www.smnarch.it/

Architetto Dario Cipelletti | http://www.dariocipelletti.it/

NOBE ITALIA | https://nobeitalia.com/

ADN Architecture & Design Network Studio | https://www.adnstudio.it/

PARK HYATT MILAN | Chef Andrea Aprea | https://www.hyatt.com/

MANDARIN ORIENTAL MILAN | Chef Antonio Guida | https://www.mandarinoriental.com/it/milan/la-scala/dine/seta

GRAND HOTEL A VILLA FELTRINELLI | Chef Stefano Baiocco | https://www.villafeltrinelli.com/it/la-villa

SNBR France | https://www.snbr-stone.com/

NAR.MARMI S.r.l. Gruppo Stilmarmo | https://www.stilmarmo.it/

PIMAR Italian Limestone | https://www.pimarlimestone.com/

WHAT OTHERS SAYS ABOUT HIM:

GAZ AND THE SUBLIME PLEASURE

(by Elsa Dilauro | Translation by: Mariangela Labate)

“No one can take away what you danced“ says an Argentine quote. Skimming Gaz Blanco’s portfolio, this apparently inappropriate popular sentence assumes an explicit meaning, so that you could replace the verb or at least add one more: what you ate, what you sang, what you observed, what you smelt, what you gave with your smile. Every word reminds to the internalization of a feeling that would be lost forever if it wasn’t enclosed in the bundle of memories.

Whatever is the subject to grasp, the visual result of his story comes from the feeling of pleasure itself and from the ability to capture it. Dancing pictures, thoughtful musicians, food prepared by “alchemist” cooks, enchanted places. Everything goes back to the archetype of pleasure. Yet, whatever the context is, it is not pleasure itself the main character, but the refinement that is expressed in attention to details.

The photographer, “reading” shapes, through the light, tells how an architectural concept, a landscape, a real architecture or a scenic design can enclose within them a musical thrill. Conversely, the musicality itself, which is inherent in the objects or in the actors of a scene (people or things), can be enhanced by the composition of the elements that he decides to put inside a photography.

The details of pleasure, like musical notes, are recreated in pictures, instinctively, by a mind with many skills that are the result of his professional and artistic experiences: the rigor of the musical form in fact, practiced as a self-taught musician and a singer first and then as an architect, through the patient filter of design, characterizes his approach to photography.

A man and a woman in a tight tango give shape to a distant music, but so easy to imagine that it seems to feel the sound in your mind. They dance, regardless of being photographed, while the sure hand of him holds the back of the girl. A single fragment of their bodies gives light to a love story which was born a long time before that photo. A heel hovering around pushes the imagination to the next dance step, in order to be part of that picture and join the movement. You find yourself immersed in that scene, captured from the red line of the pleasure of moving, guided by an unknown melody.

The artistic versatility of the photographer is an additional resource to add a note of authenticity to a scene. His experience as a self-taught musician creates an empathic bridge with those who bring music on a stage, whether it is a theatre, a stage under the sky or a road. The result are images that give immortality to that moment when the musician, fused with his own instrument, forgets himself in the act of giving himself totally to the public. An image that has no sound will never describe a voice, but the intensity and the powerful sweetness are expressed by gestures, glances and proxemics of someone who that voice is giving life.

The dishes prepared by expert “Mani di Chef“ delight the look that is satisfied, almost regretted, by shapes and gestures without being able to enjoy such beauty, if not through the sublime aesthetic experience of observation of those forms and those gestures. The observer will be captured by the magic of the context in its simplicity. The passion transmitted by the kitchen brigade in action talks about the commitment and dedication in the implementation and development of the culinary creations.

And what is haute cuisine, if not the sublimation of a primal necessity in a form of pleasure? So that food can also feed the soul, serving love, imagination or wisdom traditions. Hands, caught in the act of creating, become the emblem of them. They are firm, “eppur si muovono” also, in a harmony of shades from white to black.

Then there are the faces that talk about faraway places but also about universal feelings. These portraits, through the look of the photographer, follow the same thread: the happiness of living. At the same time the author captures even the saddest aspects of existence with the sensitivity that is characteristic of a reportage photographer. This is the result of his choice: to seek and underline the strength, the profound joy or maybe that drop of divinity that shines in each of us, even in difficult situations.

Whether he caress a portrait, an environment, a landscape or architecture, light is a fundamental element to give the same cut of sophistication to every shot. Its images technically born in colour and are imagined in colour by the photographer but it is often the strictness in the form of the story that led him to choose black and white as “Leitmotiv” of narration.

White and black in fact is not an a priori stylistic choice, but a form of interpretation; often Gaz surprises us with stories that are only in colour or with fragments of a b/w story that, by their very uniqueness and autonomy, necessarily have to be for him coloured.

Through his eyes you can re-see the reality, because often, we forget the beauty that surrounds us, we look without seeing, we record the optical information to our limited purpose and nothing more. Gaz “forces” us to remember how colourful and bright the world was when our eyes were those of children.

LITHIC SENSUALITY (INTRO)

About the photographic image: the texture and the fractal

(By Enrico Pitozzi | Translation: Mariangela Labate)

The image, today, is missing. Irreparably.

The image is missing in the most intimate sense that this expression names: not everything we see is an image. There are images that we too hastily define as such, always the same, which every day is saturated with. The latter are images that do not know how to remain because they lack foundation; they are images without thought, lacking in vision.

Instead, there are images, now rare, that surface to vision as epiphanies of light, discrete in their deep and uninterrupted dialogue with matter: whether these express the infinite texture of architecture or the fold of a face, they always testify to their belonging to the skin of the world. Images thus conceived have these characteristics because they do not show, but rather allow the visible trace of an invisible surface to perception: infinitely large as constellations or infinitely small, as a cellular network. Thus, the image assumes an intermediate character, its task is to arrange itself as a conduit for vision: it is between the finite meshes of an image that we glimpse the infinite to which it refers.

Embracing in a form the landscapes that matter unfolds is thus the art exercised by attentive gazes, for they can convert the suspended song of the cosmos into an image and bring it to the surface of vision. This is the point: the image of which we speak, in order to see it, it is necessary to be able to listen to it.

To grasp the scope of this statement, however, a clarification is needed regarding the very status of images: just as there is a visual plane of it, there is always an aural one: both are not self-evident in the current sense of the term. It is not just a matter of what is before our eyes or for our ears; these planes of images have to do with what is within the vision.

The visual plane-composed here according to the logic of detail-exercises on the matter it portrays a haptic gaze, at once optical and tactile; the other-the auditory plane retains and condenses in an image the intensity of a sound.

In this sense Gaz Blanco’s images are sensitive; they are so because, privileging a process of fractal composition, the photographed detail contains and expresses the whole it represents.

The gaze traverses the image as one traverses a landscape, as one touches a surface or a face: it touches at a distance. To put it another way, such a haptic gaze is what grafts the observed figure or matter into its background at once. Something from the background comes forward to inscribe itself in the space of the image, to become an image. The eye of the beholder is thus taken away from the optical-prospective vision in favour of a vision that travels by touching it across the entire surface of the image. And this touch-in the case of the images presented here, in analogy with the infinite lines of Fallacara’s architecture-can extend to infinity.

The logic of haptics: acting as a caress, without appropriation. However, in this tactile proximity of the image – in the precise awareness in which Gaz Blanco moves, who thinks, as an architect, of the image in terms of form and organism – resides another analogy with Fallacara’s structures: the praise of the spiral conceived as a dynamic in which uninterrupted movement is the prerequisite from which all form appears. There is no beginning and no end; form is a movement that has become visible through the twisting of matter.

It is precisely here that the other, decisive, trait of Gaz Blanco’s images emerges: their being sound. For those who know how to listen to them, they restore not only the architectural textures represented, but also the sonorous flow of the matter that pulses in them. They are images that require not only the physiological exercise of the eye but necessitate an inner vision: for it is only in the folds of an image that one can perceive the vibration of time.

From this attitude then emerge the only images that are truly necessary, the only ones capable of imprinting themselves on the photosensitive plate of our brain, just there, where time is seen, where intimate the texture of reality is revealed.

Enrico Pitozzi is a Lecturer at the University of Bologna, Department of Arts. He has taught at the universities of Venice (IUAV) and Padua and has been a visiting professor at the universities of Paris, Montréal, Valencia and Frankfurt.

Autorizzo il trattamento dei miei dati personali ai sensi del Decreto Legislativo 30 giugno 2003, n. 196 “Codice in materia di protezione dei dati personali”.

Castellana Grotte (Ba)

19-12-2024